spaceghost

Hello! I'm curt on AO3. This is my first Yuletide after lurking for ages and hopefully you'll like writing for me, because I'm sure I'll like whatever you come up with.

I like canon divergences, loyalty, underage, fix-it, anything-to-lovers, circumstances that force characters to be together like fake dating or trapped in a cabin, codependency, X worshipping Y and thinking they can do no wrong, spontaneous telepathy, hurt/comfort, unequal power dynamics and general power issues, dubcon, age or emotional IQ differences, smut, falling into dom/sub without meaning to, and identity porn. I ship all the characters I requested.

I'd rather not read crossdressing kink, gay panic or excessive homophobia, 2nd or 1st POV.


Talented Mr Ripley (1999)
Peter Smith-Kingsley, Tom Ripley

• I'd love anything that actually has them dating and having a good time. They were together longer than we were shown on screen and I'd like to see their daily life. Peter and Tom shopping for groceries, fucking on the balcony, or canoodling at the piano.
  
• Peter showing Tom all the non-braggy ways to be well-off
  
• Tom confesses his sins to Peter instead of murdering him. Peter's so in love with him that he becomes sucked into being Tom's accomplice.
  
• Tom runs into Peter before he meets Dicky and Marge. Everything goes wrong for Tom when he realizes Dicky will never love him. Does having Peter return his love keep him on the right side of the law or does he drag Peter down with him into a life of confidence crimes?
  
• "By the way, officially there are no Italian homosexuals. Makes Michelangelo and Leonardo very inconvenient." Peter = Michelangelo the genius who gets dragged here and there. Tom = Leonardo the genius who never finishes what he starts and comes up with way too many creepy inventions not to be a little bit sketchy.

Pilgrimage (2017)
Brother Diarmuid, The Mute

I'm okay with their age difference but if that bothers you, I don't mind Diarmuid being aged up.

• Anything about the Mute worshipping Diarmuid or viewing him as his own personal savior.
  
• Fix-it so the Mute survives. How do he and Diarmuid make their way in the world?
  
• Their daily lives and any domesticity between them during happier times
  
• Holding and cuddling Diarmuid came very natural to the Mute. Why?
  
• What if Diarmuid washed up where the Mute was from and not the other way around?
  
• The Mute does so many dangerous things just so Diarmuid doesn't have to. Are there any times where Diarmuid had to take care of the Mute as a result?
  
• What if the Mute spoke whenever he and Diarmuid are alone? What kind of things does he say?
  
• Diarmuid doesn't see anything strange about the Mute being so loyal to him, or he so loyal to the Mute. How did they come to be this way.
  
• Diarmuid and the Mute seem almost separate from the rest of the monks. Why are they so accepting of an unknown man being with such a young boy? Was it something they always kept their noses out of or did the Mute bully them into having privacy?

The Boys in the Band - Crowley (Broadway 2018)*
Hank, Larry

* It's okay with me if you need to base it on the film or original play. I know not everyone got a chance to see the revival and even if you did, it could be hard to remember exactly what happened, so blending the two versions won't bother me.

• Their get together story.
  
• How things play out after the phone call. Do you think its more likely that Larry stops feeling the need to be with other men once he has Hank's real approval or that Hank starts being with other men too?
  
• We always only get to see them at the low point of their relationship and I would like to know how they are when things are at their best.
  
• Domestic moments in their apartment
  
• Snapshots of their lives as the years go by. I could see them breaking up for a while but inevitably coming back together. Maybe Harold's birthday party always gives them an excuse to look one another up?
  
• Larry claims that he would be happy if Hank actually was sleeping around, but what if that wasn't the case?
  
• Now that we've seen how well the play works in modern times, I realized I would be really into seeing it in other time periods. What would Hank and Larry's relationship be like during World War II, Colonial America, Medieval times, or the Victorian period?

Dunkirk (2017)
Peter Dawson, Collins

• Collins finds out that his family died in one of the bombings. The Dawsons invite him to live with them and treat him like their own son. Peter doesn't see him as a brother.
  
• Any time Collins gets leave, he goes to Peter.
  
• After the war, Peter and Collins dealing with losing their best friends (boyfriends?) and finding solace in one another.
  
• Peter was born earlier and was able to join up for the war. It's there he meets Collins.
  
• (In a world where bonds aren't common/a think) the stress and loneliness that Collins and Peter are experiencing during the moment they meet makes a spontaneous bond imprint between them. They can speak with just their minds, which isn't too bad, but things really come to a head when they try to split up back in England and find they become physically ill when more than a few feet away from eachother.

Iceman (2017 Comics)
Bobby Drake, Daken Akihiro

• Trapped together when a mission goes wrong.
  
• Magic or some mutant makes it so they can't be more than a few feet away from one another without dying.
  
• Casual fucking turns into real feelings. It's time for them to come out.
  
• Fake marriage for a mission that ends really quickly and they keep coming up with reasons not to file for divorce.
  
• Daken tries to go legit and joins the X-Men. Bobby is suspicious and volunteers to be his partner.
  
• Bobby sets up a date with Daken on grinder without realizing its Daken. Daken has a great body, so Bobby goes with it.
  
• Crazy multiverse space travel drops them in a universe where they're together. They have to keep up the ruse.
  
• Daken flirts with Young Bobby to make Bobby jealous.
  
• Daken casually offers to fuck Bobby to help him relieve some stress. He doesn't expect Bobby to go with it and he really doesn't expect it to turn into them enjoying eachothers company even when they aren't fucking.

History Boys - Bennett
Donald Scripps, Tom Irwin

• The French lesson isn't the first time Irwin and Scripps have met.
  
• Scripps has no qualms about challenging Irwin's contrarian outlook on history. Irwin likes that quite a bit.
  
• Scripps asks Irwin out before Dakin gets the chance.
  
• Scripps is the teacher brought in to help the boys try for Oxford and Cambridge. Irwin is the little sod who keeps writing outrageously offensive essays that drive him up the wall.
  
• The new term starts and there's something about Irwin. Puberty has come and done well by him, so well that Dakin has started to hover about him. Irwin's only got eyes for Scripps. Scripps tries to tell himself that he's only got eyes for Jesus, but it gets harder by the day.
  
• Scripps gets roped into going door to door to spread the Good Word. Most people slam it in his face, but Irwin debates him. Scripps keeps going back to his house because it's just so much fun.
  
• Scripps's parents offer to billet Irwin while he settles into town. At first Irwin tries to keep a distance between him and Scripps but one thing leads to another and they're having lunch together at school and Scripps is helping Irwin grade papers.
  
• Irwin and Scripps write notes to one another Scripp's essays.
  
• Irwin loves how Scripps can recite endless poetry to him.
  
• Scripps comes home for break and runs into Irwin. Dakin may have given up on sucking Irwin off in return for their scholarships, but Scripps hasn't.
  
• Dakin was right, Scripps is jealous.
  
• Irwin thinks that Scripps is in love with Posner and feels bad for him, as Posner only has eyes for Dakin. He starts to invite Scripps on his travels to historical sites in the region and quickly realizes "bad" isn't what he feels for Scripps.
  
• The reason Scripps finds Dakin's flirting with Irwin so hilarious is because Irwin's with him.